My recent performance was live-streamed and an be viewed here. It was a benefit recital to help support a trip to America with my students. (you can read about that here) The programme is below.
Posts from the ‘Performance’ Category
On Sunday, February 4th I’m giving a concert at the University of Chichester. It will be an afternoon of cello, and I am very fortunate to be accompanied by Music Alumni, Simon Arthurs on the 1876 Steinway Fancy D piano, and we will be joined by Natalia Corolscaia, on violin, for the final two pieces. The programme includes Bach, Boccherini, Chopin, Elgar, and Piazzolla. There is no entry charge – and for those of you who might be far away, we will be streaming the concert (link below).
For the past few years I have run an International Experience module where students take their learning to across the world, literally. This year we are going to Los Angeles to teach music to various groups. A small group of students will come with me and they have planned their teaching- they have a great goal that involves raising some money: When we teach in LA, leading ukulele and singing workshops, we want to give each of the groups we work with a set of ukuleles for their class to keep.
In the spirit of good fundraising, I’m helping out too with this concert. If you can make it in person FAB! It really is free (with a retiring collection to fund those instruments and support the trip!). If you can’t make it, join me remotely! I’ll be live-streaming it using the uni’s lecture recording software via this link:
You can support us with any sized donation via this link. And you can read a bit about the students coming with me.
In LA we’ll be teaching at a suburban primary school outside of Hollywood, a school in the heart of Los Angeles, and we’ll be teaching UCLA students who spend their summers working at UniCamp. UCLA UniCamp is a non-profit camp that has serviced the Greater LA area for the past 85 years. They take campers from under-served populations and take them to a residential summer camp experience and provide them with a camp experience they wouldn’t otherwise be able to have while teaching them the importance of higher education and tools needed to combat current social issues. All of the camp counsellors are UCLA student volunteers that train over 100 hours in preparation for their session of camp.
It would be amazing to be able to donate instruments to these schools and to UniCamp after we work with them. Hope you can donate £1 (or more!) to the cause and hope to see you at the concert!
Last night I had the pleasure of performing a recital accompanied by my friend and colleague on the University’s lovely 1876 Dancy D Steinway piano. Oh I love my cello and I love to play for people. Performing for me is interesting because I am trained to do it, but in life I do many other things as well and this kind of solo performance is a slice of the pie. Finding balance is a quest. (recordings from the concert are at the end of the post, in case you want to skip the reflective part!) Read more
This is a critical post about performing. I take you inside my mind to illustrate the good and the challenges of performance. Going from the practice room to the public platform is something that all musicians do. In school, at university, or with a teacher this is something that is trained into you and facilitated. There is performance class, there are opportunities to ‘air’ the music first, but what happens when you leave that environment and are on your own? Do you keep it going? Do you still push yourself? Few graduating musicians are likely to play the same concerti they prepared for their final recitals as recital material and certainly not as regular ‘gig’ material. And what of the learning opportunities? When you leave your teacher’s studio, there are no more regular performance classes, and depending on what you do there may not be any peers to play for….unless you create the opportunities. This is the story of the opportunity I created, my thought processes, and the results. I’m learning in public. (Featured image CC-BY-NC by C Steele) Read more
This is the second post about performing… I had the pleasure of performing with one of my children. A couple of weeks ago I said to my daughter, ‘wouldn’t it be great if you learned the accompaniment for The Swan? -and you could play it with me?’ -my daughter plays the harp. Much to my surprise she said yes!!
This was something new for her to accompany someone, and I didn’t give her very long to learn the piece, and psychologically I was far more worried about making sure she was ok in the performance than I was. I said that no matter what I would follow her – catch her if anything went wrong. I was the one who slipped, and it was when I was worrying that she was ok. I never anticipated the added factor of the psychological impact of playing with one of your children – I learned something new for sure. She did great. I think every cellist should have an in-house harpist.
People have asked when I would post some performances… Here you are! This is a live performance of Gabriel’s Oboe played by me, on cello, Ian East, sax, and the Addison Jazz Choir, led by Jill Jarman. It was recorded in a concert. The piece was composed by Ennio Morriconie and was the theme of the film The Mission. I came across this recording and was pleased to have permission to post it.
I think there is a sense that all musicians wait until something is completely perfect to post or share it… that brings in a lot of fear and also would kind of stop most people sharing most things they play. I decided to posted this, and will work to record more things in the future and post them too.