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Lyre Bird: #MUS654

I was thinking about melodies and the #MUS654 topic of ‘what makes a melody?‘ when I remembered about the lyre bird. No, this is not a veiled political comment, I’m talking purely about a very unique bird that lives in Australia. It is distinct to look at, with its long pluming tail, but the sounds it makes are truly extraordinary.

On the #MUS654 page on melody I suggested imitating a bird, but perhaps not this one! It has evolved a lifestyle that involves singing singing singing through the winter, as this is its mating season. Also there is a need to really woo the lady bird as she only produces a single egg every two years. Thus the song is amazing. Have a listen…. this two minute video is worth watching. See if it challenges your understanding of how birds and other natural sounds fit into music and everyday listening:

Your turn!

If you haven’t had a go imitating some birdsong, have a go. Xeno-Canto is a database that has over 373,800 recordings of birdsong. You can search by species and choose the tweeter of your choice to listen to and imitate. Remember you can share a link on your own blog, tweet it with the tag #MUS654, or share in comments on this post or on the the #MUS654 page on melody.

Featured image CC-BY by Hardy Humphries

Value of Creative Education

@laura_ritchie modelling our own practice as creative educators in different medium @HerefordArtsCol 

—Sarah-Jane (@sarahjfc) 20 September 2017

I felt privileged to be there. Really, it was moving. You reminded us of what we do and sometimes as teachers we forget- Seeing him get it and the look on his face. When he looked at you like that, that is what it’s all about. Witnessing that learning happen was really something. -Holland Otik

What was this all about? I was invited to speak at the Hereford College of Arts 10th Annual HE Symposium to speak on ‘the value of a creative education’.

Read more

Students, measurement, & connection: Book Club Post 4

Time for another Summer Book Club post! What? You say summer is over?? I am keen to hold on to every ray of sunshine, and as a slow reader, I’ll be posting well into November. This post covers pages 240-347 of Stephen Downes’ (free) ebook: Toward Personal Learning. I wrote about the earlier sections in these posts:

My method in writing these posts is to gather the bits that stop me in my tracks, make me think, write them down, and then connect the dots around them. Three themes emerged for me in these hundred pages: the students, the measurements that sometimes bind (as in hold fast, like hands tied) us, and connections. Let’s start with the students. Read more

Listening to the world MUS654

It’s the beginning of this year’s #MUS654 and we’re looking at all things sound for this week. Under the #MUS654 tab (at the top of the page on this website) are all the sessions and this week’s topic: The Mechanics of Sound has to do with sound. Every year I come to this with fresh ears as I learn to listen again. What does my world sound like? What can I hear?

So often sounds wash over us. Listening is a strange thing compared to sight. With sight, we can close our eyes and ‘make it go away’, but not so with sound. Bathed in sound from dawn to dusk and in between, the world never stops. Sitting in my office now, lights off, sun coming through the window, through the quiet I can hear the tappity tap of my keys and I wonder what else can be heard. I know there are programmes that can identify what you type by listening to the sounds of the patterns of typing, and the loudness of the different key strokes. What does the world around me reveal?

There are so many things that I am unaware of.

I recorded myself typing the text above. See if you can hear the patterns of my typing. Can you hear when I made mistakes and went back to correct them?

On this week’s page there are several activities you can explore. I have chosen this as an ice breaker, because it’s fun, and everyone can participate- whether you consider yourself to be specifically musical or not. I have recorded a ‘soundscape’ of something that I encounter every day. Your job is to listen and guess what it is. Please leave your guesses in the comments below 🙂 and in a few days I will post the answer in the form of both words and a picture. Don’t spoil the answer by reading all the comments first!

As a musician, listening is crucial; it is distinguishing between the smallest nuance. It is a skill that we continue to develop, and we can choose to open our ears to the world around us and to hear it with new vibrancy. What can you notice? What is around you? What sounds do you like and can you pinpoint why? So many questions…

Have a go recording your own soundscape, and do look at the other resources and activities on the page. Whether you are in #MUS654 for the long haul (all 10 weeks!) or just happened by the page, welcome and let’s explore the world of sound together. I am always open to questions or comments, and would be delighted if you shared your comments and creations so others could join in, widening the conversation.

Featured Image CC BY-NC-ND by Images by John ‘K’

Learning on your own

I love learning and I love teaching, and I love to make things fun. My classes started last week and I made a little video with the help of my son to illustrate what happens while ‘learning’. (insert cheshire cat grin here) If you need a good giggle, this one’s for you. Image CC BY-NC by Greg Hirson

See in learning stuff, could be any subject, there is content and then you have to figure out how to actually assimilate it and make it real for you, so that in the big wide world it means something and is useful. Very often we are given a ‘to do’ list and are set free to ‘learn’. The to do list is the what, and seldom includes the how or why. When I showed this video in class, it made my students cry with laughter, not because it is slapstick, but because it’s true. Read more

Time to open #MUS654 for 2017

It’s the start of another academic year, and I have just welcomed a new group of wonderful final year students to my undergraduate class on repertoire for the young performer. It’s a great one, in that we are so diverse, from classical to folk to rock and yet all on a common path of figuring out how to create a year-long curriculum for a learner. One of the first things I tell people is that I am not in a position to tell them how to ‘do’ their instruments. I can advise and guide on how to learn and devise learning. Time to open our minds! (featured image CC BY-SA by Eddie van W.)

We have more in common than we think – even with this year’s group spanning ukulele, clarinet, electric bass, voice, and violin. With all my classes we have no textbooks, and I strive to gather as many resources as possible for the students. For some classes these are paywalled, and fortunately we have access. For this class, there are many great resources that serve our purposes that are freely available. Over the past few years I have developed an open educational resource that is the closest thing to a text book that we have. It is here as the #MUS654 pages. There is a drop down menu for the pages, and I’m going to keep a grid of all the posts I make this year on a page there.

The idea was born out of two things:

  1. I can’t tell everyone what to do (I really could not pretend to have the expertise in ALL the instruments- that would be beyond pretentious)
  2. The people who can advise are out there, and so I thought wouldn’t it be great if my students worked to engage with you all, and in turn you were all invited to join in as well! (yay!)

What I had devised was like a mooc, but it isn’t a class that people need to register for. It is more of a cMOOC (that’s where everyone connects up and they devise the content). I didn’t realise it when I started this class in 2014, but that’s what I was creating. In this project/#MUS654, we discuss the commonalities of music, planning, engagement, but you have to do the heavy work and make the content for a curriculum (if you want). Otherwise you could just dip in and out and join in with anything that takes your fancy.

Learning to reach our and network is more than half of the game for musicians today.

So if you are a player, performer, enthusiast, teacher, learner, or just fancy yourself as a person who enjoys a bit of music – you are warmly invited to join in with any or all of the goings on here. Those studying with me at the University of Chichester will be following along with the content from now until the beginning of December, and I’ll announce the weeks with a blog post and share it as widely as I can. Feel free to look at Session 1: The Mechanics of Sound and see what you think…

You can participate by:

  • Tweeting (in your own account, or feel free to make a fake account just for this if you prefer to remain detached from your normal profile)
  • Blogging
  • Commenting on the main pages and posts here, on this website

You are in control of how publicly or privately you post.

I encourage you to tag things with #MUS654 and I’ll be searching! If I’m clever, this year I’ll figure out how to aggregate blogs! (these technical things hurt my brain sometimes 😉 )

 

I look forward to having you share the musical journey with us! We can learn a lot from one another.

Here’s to #MUS654 2017

Laura

Image CC By by Sharon Mollerus

A self-regulation worksheet: ISPS 2017

I presented at the International Symposium on Performance Science in Iceland on Sept. 1. The presentation was about a research study that I carried out with Phil Kearney where 22 adults learned to play string instruments over the course of a semester. I talked about self-efficacy and self-regulation in learning and how these people managed their learning across the study.

Inspired by Stephen Downes, who shares everything he does, I live streamed the session and both the stream and the slides are embedded below:

Although you can see the slides above, and in the live video

I have a few links within the slides themselves, and also some ‘presenter notes’ that include some of the other references I mentioned that I couldn’t figure out how to make live on the embed, so have listed them footnote-style, below. Read more

Dismaland:

Two years ago today, my daughter and I went to Banksy’s Dismaland. We were so very excited. We had waited for the moment tickets were released and fortunately got two. On the day of the event, we got up early early and booked a parking place in someone’s driveway and made the long drive to the dump of a site. The whole day was in itself an art instillation, some twisted fairy tale- that we were so excited, that the drive was 3 1/2 hours, that we were going to a dump (created intentionally that way)- it wasn’t just about the art.

Once there the experience was oh so Banksy, and looking back, in the light of the world at the moment, and especially recent events, it is so very ironic. We waited in the queue for the park to open

and as we entered we were searched, like others (with extra-effective paper tools). I was held back because I was smiling. I had to stop it. Dismaland, not happy land. Stop the smiling, they told me. Stop it. It took time, but I did, and they let me through. Read more

Sweet rejection

Yesterday I got the best email. It is slightly odd that it was so exciting and that I am sharing it because it was a rejection letter. That’s right: Not interested, no thank you, but it was not presented that way, and in turn, this letter was hugely encouraging to me.

If you have read anything from this blog you will know that over the past year I have been writing up an adventure that I had with five of my students as a book. The manuscript was finished at the end of last year, and then I did what I guess any new author does, sent it in to publishing houses. I knew many well known authors, J.K. Rowling for example, had numerous rejections before an acceptance. I got a really nice letter back from one publisher on January 11th that said…. Read more

Strive Less, Share More: Book Club Post 3

This is the third in a series of posts reflecting on Stephen Downes book Toward Personal Learning. I suggested it might be a summer book club, and a few people have joined in – some have even posted! There is an excellent reflective piece here by Charlag. This post contains musings on p.179-271.

As I read, I keep notes, because with the start of term drawing ever nearer, I want to keep on top of this. I am already a bit behind, although I got stuck with good reason. (hint: it’s the line of text that became the title. It really struck me, and for a week I didn’t read on, but reflected on it)

…now where are those notes I keep? Let’s find them and see what really caught my eye in these eighty odd pages. (Remember I got stuck, so I’m a bit behind and didn’t do the full hundred yet)

Downes goes on to pick holes in Brennan’s article. Read more