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Drawing

Pushing the boat out: Creativity in the Open

Kamloops. Creativity in the Open. Out in the open. The Wilderness stretches as far as the eye can see, and there is water in the valley, snow on the distant mountains, etched clouds above, and wonderful smiles to surround us on the TRU (Thompson Rivers University) campus here in Canada. It was an opportunity to push boundaries and explore. My appetite for learning is large and this was a feast.

The convergence of beautiful surroundings, people, thought, has been magic over the past few days during the Creativity in the Open event, organised by Tanya Dorey. It has been a privilege to share so much with these people. It started as a conversation at an online meeting between academics from diverse fields – a curriculum designer, a biologist, a philosopher, and a musician. It was our ‘play-date’ where we could talk and snatch a precious few moments to know one another better than text-base interactions allow. (there’s a story connecting that meeting to the event that just happened, and that will be in the collaborative magazine Kintsugim issue coming out in about a week)

There is an inherent joy for me, in being at a place and an event where creativity is valued, welcomed, and fostered. I knew that I came bringing something that would be new for people – playing instruments and giving them the tools to make some recognisable sounds in a short space of time. Working together in different ways than the everyday desk environment provides, and using a different medium to convey creativity – sound. I would be pushing people, but there were also opportunities for people to push me.Read More »Pushing the boat out: Creativity in the Open

Beyond the box

We’ve all heard about thinking outside the box. How about thinking outside the bucket? What about thinking outside…

Outside the discipline?

Outside the medium?

How about opening your mind beyond the box?

In couple of recent classes I asked my students to show me music. I did’t want an essay – did’t want to have words. I want them to experience music in another way, and then to be able to recognise and communicate this to others.

Why?

Because we are all unique. I will never really know you, I cannot be a spectator inside your experience, your mind. For me that means that as a teacher I will never really know my students or as a performer, my audience, but if I can learn to communicate and experience in different ways, then perhaps I will have more of a chance of connecting. –or at least of gaining and giving a window into that communication.

I suppose it stems from a constructivist approach to learning, that we do and the more different ways you do something, the more likely it is to stick and sink in:

Write it. Read it. Speak it. Hear it. Feel it. Touch it. Taste it

(ok that is going too far for most academic subjects. We would all prefer not to eat our words… unless written on rice paper and then that is a totally fun exercise).

The idea of doing those things gives a holistic experience and often opens our minds to seeing whatever ‘it’ is in a new light.Read More »Beyond the box