Yes, I did 100 days and I’m still going…
I’ve been at this Kodaly for a while now and I’ve been very fortunate to have the support of an artistic community where I can share my progress and talk through the processes I’ve undertaken as they have unfolded. Everyday I practise, and everyday I document what I’ve done. As I’ve gotten farther into the days (I’m now on day 113 and have since performed a movement and will run the piece tomorrow at an informal performance, in advance of the scheduled public lecture and performance on Oct 18) I wrote less detail – or maybe only specific details about what I was doing, and the genuine brain blips happen as well as being in different spaces or having pressures of the day encroach. That happened on Day 100. I was teaching all day (lecturing) and grabbed time to practise wherever and whenever I could, and in those settings sometimes switching it on is tricky.
Having that community of people there (at Yapnet) who might read, might comment, but are present – encourages me. I find solitary working very challenging, long term. I need people. I don’t need constant praise, critical eyes are good too, but as a person, as an artist, as a practitioner, I crave connection.
If you are an artist of any flavour (as in a person who does creative projects – in the medium of sound, colour, or words, movement, or some other medium – I invite you to be a part of this space where work can develop in the open (It’s a private open – and that’s why to publicly share what I wrote I have to physically paste it here. The rule of the site is respect and ownership -as in you own your stuff, and people respect that as an artist you are developing something and it doesn’t get shared unless you share it <– you own your stuff.) How do I know to trust it? I co-founded it and I also trust Geoffrey Gevalt, founder who has a mighty track record with creating the very successful Young Writers Project for teens, also founded on the same principles. I invite you to join us in developing your own creative pursuits. Learn our loud with us.
Anyway, here was my Day 100. I didn’t plan to share these, but was spurred to share by a conversation with a friend about self-talk. In these short videos the interesting bit is not the playing but the thinking- and talking. See the very end of vid 1 & 2 and the start of vid 3. got to listen to catch it. Remember these were practice clips – not intended for public screening – when I video my practise I am my own fly on the wall. Some days I run bits of movements, and on this one I captured a bit of process. Practise is lots of nuts and bolts sometimes.
Here’s my entry for Day 100 on Yapnet:
Gosh it feels good to write that. 100 Days. I feel a bit like I did something, and at the same time I’m glad there ismore road ahead.
It’s a helpful practice to notice where we’ve been and where we are now, and for me I keep in mind where I’m going next – but not to the detriment of being present now.
I did a chunk in the day at uni and then another chunk at home, late. It’s busy teaching week time and I did a bit more than 1 hr 15 but not massively more.
Mvt3 and I worked at it. At home I got through the rest of it and the major work from the day before paid off. Gosh I wish I had more time.
The clips show the trials of practice. In take1 who knows what I did – I realised there were some notes all up bow and it suddenly felt funny. It was akin to saying a word over and over and suddenly becoming aware of your tongue motion and then questioning
The pictures are the holding images for the videos on my iPad. They speak volumes 😉everything you know. Take2 shows you my odd nature and how I, yes, talk to myslef. What you don’t see are the times I shouted COME ON. GET IT RIGHT and the like. Who knows what passers by thought (!).
The final one is a bit better and you’ll see I am getting more consistent – nearly got those flappy bits! 🙂
Oh to have more time!
That’s a challenging piece, amazing! Great to share your practise diary, I can get more idea of how to work on my pieces, thanks Laura!